Saturday, January 30, 2010

I AM (met) OZZY

As far as my personal views on religion (and/or lack thereof) go, Ferris Bueller put it best when he said "A person should not believe in an -ism; he should believe in himself." Whenever I find myself in situations where people are stating their religious beliefs and it inevitably becomes my turn to chime in, I usually just say that my religion is "Musician". It usually garners a chuckle or two, but I'm not kidding.

My primary denomination of Musician would probably be ROCK, first and foremost. Thanks to my darling sister telling me about groups like KISS and Alice Cooper at the ripe age of 5 or so, rock music perked my interest and quickly became an obsession. Whenever Moms or Pops took me to K-Mart and I grew tired of ogling the Star Wars junk, I would always walk over to the record department and gaze at album covers and posters, wondering about things like how the guitar player on the AC/DC record cover was still alive if he was impaled by a guitar like that... and if Alice Cooper really was as blue as he looked on the From the Inside album cover. Although I didn't own any rock albums, I always felt connected to the cover art and would stare at it whenever I could. Eventually that obsession gave way to buying those records and listening to them... which led to buying rock and roll magazines, which led to picking up the guitar (shout outs to my parents as well on making that one happen), and ultimately 25 years later led us to New York.

My rock/metal magazine phase kicked into high gear around 1980-81. They became my comic books - I spent countless hours looking through them until they would ultimately fall apart and become wallpaper in my bedroom. Many of those mags featured articles on (and more importantly pictures of) Ozzy Osbourne. Ozzy pretty much scared the crap out of me more so than anyone else I'd laid eyes on in those magazines. Meat Loaf was the scariest rocker prior to that, basically because in most of the photos I could never tell if he was a dude or a chick (I was still uncertain when I first heard Paradise By The Dashboard Light but eventually figured it out). To me, he was just a big sweaty androgynous something-something who wore shirts that looked like wedding cakes.

I would see the pictures of Ozzy and read all of the interviews and stories and think Holy crap... that dude is truly crazy; if I were in the same room with him he might bite me in the face! Other than maybe Popeye, Ozzy was the first person I'd ever seen with tattoos. And they were scary ones. Tattoos are about as pedestrian as eyeglasses nowadays, but the flaming blue demon head on Ozzy's upper right chest was the first large tattoo I'd ever seen and it had me convinced that his threshold of insanity knew no bounds (I wasn't too far off the mark). I never actually heard Ozzy until Bark at the Moon came out in late 1983 and I saw the video for it. I'd just gotten over the phobia of our basement that the movie Poltergeist had sparked, and when I saw the Bark video it was back to square one - I pretty much promised myself that I would never go down there again. Our basement had a creepy crawlspace which contained a frighteningly realistic dwarf-sized stuffed clown doll that our grandpa allegedly dumpster dived and brought over to us kids as a "present". My siblings will testify that in addition to the dead basement bugs and scary clown doll, the crawlspace was infested with Krenner-eating monsters eagerly awaiting to kidnap us into their underworld. After experiencing the Bark at the Moon video (which looks completely ridiculous when I watch it now, thankfully) I was convinced that Clown and the Krenner-eaters were most likely accompanied by a rabid pack of Ozzywolves.

About a year or so later I was playing video games with my home boy Troy and he popped in the Bark tape. "So Tired" came on and I thought Huh... this stuff is actually pretty damn good. He can't be THAT much of a freak, can he? Around that same time my Aunt Lucy brought me some old Black Sabbath tapes to listen to (I have been blessed with some really cool aunts). I had read about Ozzy being in Sabbath in my old magazines and now FINALLY got to hear them. At first it was a little too slow and syrupy for me, but after a few more listens it clicked. The Wizard became an instant favorite tune of mine and is to this day. Although I never got into Ozzy's music as much as I did KISS, Zappa, and all of the other big ones, I always put him at the very top of the heap as far as heavy rock music royalty goes (yes, even above KISS). Ozzy is more than the dope on The Osbournes and/or the guy who bit a bat's head off... he basically helped invent heavy music as we know it. For example: Without Black Sabbath there would probably be no Melvins, and without Melvins my life would be very sad. He has released a wealth of material since, most of it rules, and I still consider him to be the king as far as heavy metal goes. Some may beg to differ with all of that, but that's just how the mental waffles stacked up over time in my little noggin. It is what it is.

That said, my "religion" left me with no choice but to go pay my dues for a few hours with Wife last Tuesday at the Borders bookstore in Columbus Circle where Ozzy was doing an I AM OZZY book signing. I had high hopes to A) get a book signed for Troy - not only for his birthday, but as a thank you for being my gateway to Ozzy records, and B) make some sort of connection with the man himself for a few split seconds. I always make a point of it to say something slightly left of field in situations like this to break the "Dude you fucking RULE" monotony (I once met Dave Grohl and asked him what he had for breakfast). Thankfully we were there early enough to get a decent spot in line. A river of people ran throughout the entire store, and an additional gaggle of Ozzyheads were staged outside of the store hoping to get in. As we got closer to the table I felt fireworks in my belly similar to those I felt when standing before KISS during a signing they did at Sam Goody in the Mall of America in '92. We were about 20 feet away from Ozzy now and had a great view of him. He appeared to be in a "Let's get these f*&king books signed already" mode - not really looking up all that much. His hair was hanging in his expressionless face as he signed book after book. The only movements he was exhibiting were a) his mouth chewing gum, and b) his right hand swirling over books with a Sharpie as the Borders gimps hurriedly passed them under his hands like an assembly line. From a distance it looked like he was drawing an infinite series of slow-motion loops. I wasn't sure what I was going to say and we were just seconds away...

Bryn went first and got her book signed, and when he looked up at her I instantly heard that infamous blurry Ozzy voice in my head: "Bullocks, an I haffta go home to Sharrin?" My book was slipped beneath his hands and life was suddenly in fast-forward. He started squiggling his name in my book and I peered into those trademark circular Ozzy sunglasses. It was like looking into the top of two cups of black coffee; I could just barely make out his eyes. The fireworks in my belly turned into an all-out fireworks factory fire. It was my turn. I had to remind myself: Quick... think... don't just stand there - say something, dumbass!

The first few pages of his book contain a strategically placed blank page which I found to be quite the humorous and priceless literary inclusion on his part. I decided to use that as my ice breaker for our 5 second rendezvous. Belly fireworks ablaze, I felt my mouth open and heard it say "The blank page is absolutely brilliant, I seriously can't stop reading it." He stopped his name doodling, looked up for a moment, and although I still couldn't really see his eyes all that well I could tell he was looking at me. This officially confirmed that I'd just jostled the little Ozzy hamster wheel in his head and that it was starting to rotate a little. Victory! He broke into a nice big pearly white-bearing goofy open mouth smile and bobbed his head up and down - and although he didn't say anything, I could see exactly what he was thinking: "Haaaaaaaaaaaa, yeah, ah know, that woss a real good one, roit?"

We were rushed towards the exit by the Borders gimps much like the mall elves rushed the kids away from Santa in A Christmas Story. I looked at the inside of the book. I thought about how he was already back to scribbling in other people's books and giving them their moments. He had probably already forgotten about what I'd just said to him, but I was happy to have said something that briefly changed his disposition and crack him up.

Yet another priceless moment to cross off of our "Cool shit in life that we didn't know we were gonna get to do" list. And thankfully this is as close as he came to biting our faces off or turning into a werewolf:


Friday, January 1, 2010

There is life outside of watching Dick's big ball drop on NYE

December 31st, 1981

The kitchen/dining room area in our family's house on Ideal Avenue was empty and the lights were off which meant the coast was clear. Either a) Moms and Pops went out that particular evening and my sister's friend Tessy was babysitting us, or b) They had people over and were in the living room or basement entertaining (I can't recall). I unplugged the portable black & white TV on the kitchen counter top and for the next 3 hours held it hostage in my bedroom to watch Dick Clark's Rockin' New Years Eve. As far as I was concerned, all that existed in the world that night were me, a 16oz glass bottle of Pepsi, and that TV. I put the TV on my bed so I could lay down like a king and watch the New Year ring in beneath the comfort of my Mom-made quilt. It was about to become 1982.

One thing I did a lot when I was a kid was watch TV shows with a perpetual and insatiable hope that KISS was going to be on. Unfortunately for me that was never the case... but for some reason I didn't ever let that stop me until I was 10 or 11 and wised up. It kind of happened with Scooby Doo and CHiPs when there were KISS-like guests worked into an episode, but never the real KISS. This was back when you had to actually watch shows of this type in order to know who was on them - there was no magical innernets back then that you could run to at any given minute for such info. There were the TV listings in the paper of course, but usually for shows like this it only said SPECIAL GUESTS. At any rate, due to this disadvantageous television intake ritual of mine I was prepared to be Rocked by this Rockin' New Years Eve special that KISS would inevitably not appear on.

Although there was no KISS, there were a lot of other great performers. I vividly remember Dick Clark saying "Please welcome 1981's queen of rock and roll, PAT! BENETARRrrrrr!" I briefly wondered who made her the Queen and pictured her with a crown on her head. She was wearing a crown, I guess - it was just in the form of a headband. Pat Benatar and her band commenced with a severely ass kicking performance of Hit Me With Your Best Shot. Much like Joan Jett, 8-year-old-Me was slightly afraid of her - to me she looked like a tough chick at the mall who you'd go out of your way to avoid making eye contact with lest you want to be beaten to a pulp or knifed. The Village People were on as well. Back then to me 5 dudes in costumes, two of which were scary to me in a good pseudo-Gene Simmons kind of way were better than no KISS at all (the biker and the Indian... and I guess the construction worker was pretty badass to me as well due to him having a lightning bolt on his hat and a screwdriver in his mouth). I want to say that Christopher Cross performed on this particular Rockin' New Years Eve, but that and other details have evaporated over time.


I had a great time watching the show and waiting for KISS to not appear. That New Years turned out to be the benchmark of New Years Eves to come; likely due to a) Having the TV in my room for one night, b) It's the first one that I somewhat clearly remember... and c) It was my first exposure to the anticipation of a gigantic ball dropping on top of a building located on a faraway planet called "Times Square". Having only downtown St. Paul on the way to Grandma Gertie's as a reference point of what cities were supposed to be, when the camera first panned over the crowd and the buildings and the lights it looked like the most massive thing in the world - a place that I surely would never visit in this lifetime. I'm not sure if it was that year that I made the connection that Times Square = New York, but it happened eventually. And I knew that KISS were from New York (yeah, here we go with the KISS thing again). Back then, to lil kids like me they were the biggest monsters in the world. In my mind they were 10 feet tall. Combine that, the hugeness of the Times Square footage, and maybe some misconstrued perspective of buildings courtesy of my Spider Man album cover, and from that point on I assumed New York City was hands down the most gigantic fucking place in the world. Not necessarily in a buildings per square mile sense, more so in overall height and massiveness of the buildings sense. Everything looked double in size to me. In New York Groove Ace Frehley sang To the left and to the right, buildings towering to the sky which is something I always took quite literally... right up until the first time we walked through Times Square in 2007 and I thought "Huh. It looks a lot more compact than it does in books and on TV." It really does. It is indeed huge - but not as huge as TV makes it look. Same goes for the Statue of Liberty. It's big... but not as big as I thought it would be.

Every single year since then I've made a point of it to watch that dang ball drop and would always think Man, if I ever lived there (this was long before I had any idea that I someday would) I would TOTALLY go to Times Square on New Years Eve. I didn't watch it one New Years in 94 or 95 - the one night I went out to some dive sports bar in the Cottage Grove mall and got blurry off of drinks with my friends and thought about the ball dropping when 11:59 came - but other than that I NEVER missed it.





Like, dude, we totally live here now

Fast forward to 2009. After all those years of watching the ball drop on TV we actually live where it happens now. As mentioned in other blawgs, I now walk through Times Square nearly every day on my lunch hour. I still compare the image of it embedded in my head at a young age vs. what it really is - a gigantic, dirty pinball machine crammed with buildings that are slightly more compact than I thought they would be. Some of them do indeed tower to the sky, though. And it is out of sight, in the dead of night.

One of the most frequently axed questions that people had for us (and understandably so) was "You going to watch the ball drop?" Nope, we didn't. It definitely crossed my mind, but after going to watch fireworks when we were here as tourists last year on Pier 11 I'm not sure that it would be all that and a bag of chips. One thing they don't show on televised major public events is everyone standing in one spot for 3 hours so they don't lose it, and then everyone trying to leave at once when the event is over. Everyone's been drinking, everyone has to pee, and most places after events like that do not offer up public restroom accommodations. A smart move on their part, but when we were waiting in line for restrooms at a nearby Burger King for 20 minutes and longing to just get back to the hotel to sit down, yeah... it's not the big party it's all cracked up to be on TV. I think the trick is to get so inebriated that you're oblivious that you're "trapped" within such circumstances. I prefer to have memories of going to such events, so that's not really an option. Plus at $6-8 a beer that would be a pretty expensive buzz to maintain for an entire night.

Ultimately we ended up attending a party at a photographer's studio in SOHO that we were invited to by our dear friend JB (thanks, JB!) Never really having access to such events back in MN, I don't think that either Bryn or I really had any idea what we were in store for. Alls I knew is if we spent our first New Years Eve in New York watching the ball drop on TV when it was happening a mere 2 miles away from us, that would feel just plain old wrong. As some things can be when you don't see 'em coming, it was amazing. It turns out that this photographer's clients include Billy Joel, Sting, Miles Davis, and countless others. His walls were plastered with decades worth of work (one of my favorites being an Innoncent Man-era Billy Joel promo shot that I recall seeing at Great American Music when that album came out). His main floor gallery had photos of Fast Times-era Phoebe Cates and Jennifer Jason Leigh. This picture of Miles Davis which I've seen countless times while standing at in the music biography section at Barnes and Noble. I spotted a few familiar photos of John Lennon. DAMN. There were only 2 dozen or so people there if that and a potluck spread right smack dab in his basement which is half studio/half kitchen - it was pretty surreal thinking about all of the famous people (talented ones that I admire, no less) that have set foot in that studio.

Good times were had, midnight arrived, we all did the HAPPY NEW YEAR deal, and shortly thereafter I had a brief out of body experience for about 10 seconds experiencing the following thoughts pert near simultaneously:


  1. Holy shit

  2. We're in New York

  3. It's New Years Eve

  4. We're at a party in New York on New Years Eve

  5. Said party is hosted by an extremely talented and successful photographer

  6. This is like something out of a movie

  7. Actually, this is something that happens in movies

  8. Thank goodness Jennifer Aniston isn't here making one of her dumb pouty heartbroken faces

  9. Is this life imitating art or does art imitate life?

  10. I love the music that he's playing and that it's kept at a conversation-friendly volume

  11. Do I have one more beer left? I'm really kind of tired of beer but if I have one left I guess I'll drink it

  12. Should there be movie cameras in the room or is this just what life is like for some people here?

  13. Seriously.. we're really here and doing this?
After that stream of thoughts it occurred to me that for the first time in 29 years (save for that one year at the white trash Cottage Grove bar) I didn't watch the ball drop on TV, much less even think about it. Ironically it happened to be the first year we actually could have watched it in person. There wasn't a TV in the room, and who knows, maybe there wasn't a TV in the entire building. Maybe when you achieve that level of success as an artist you don't need a TV because you're too busy being creative and doing what you love. Maybe there is no need for escape real life for a while, at least via a television. In all of the years prior to this I'd always make a point of it to watch the ball drop even if it was on a TV in the background - my New Years Eve would always threaten to feel incomplete without it otherwise. But there we were in SOHO at a small party with Food, Folks and Fun (© McDonald's) welcoming 2010 in without the help of a 4 ton illuminated jewel encrusted ball slowly plummeting to the roof of One Times Square. And it was really, really fun. Not particularly loud, crowded, or rowdy - I will quote the Three Bears and say that it was just right.

Who knows what next New Years Eve will bring or where we'll be. The 2009-2010 transition was definitely right up there on the Most Awesome list next to that fateful New Years Eve of 1981 watching a much younger and fully functional Dick Clark, the Queen of Rock & Roll, and the gayest boy band in the world. I hear Dick isn't doing so well and was planning on appearing on the show on New Years Eve but wasn't sure if it was going to pan out for him which is kinda sad. All I know is that I learned that I can still have a really good time on New Years Eve without Dick Clark - and we certainly did on Thursday night.

I guess that means I can tell people that I was Dickless on New Years Eve and it was one of the best times I've had since we've moved here. That would sure get some interesting reactions at work on Monday morning.

Happy Freakin' New Year.